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| Moves | 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e6 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| ECO | B80–B89 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Named after | Scheveningen | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Parent | Sicilian Defence | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Chessgames.com opening explorer | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In the opening of a game of chess, the Scheveningen Variation[1] of the Sicilian Defence is one of Black's most ambitious lines in the Open Sicilian. Championed by Garry Kasparov, among many other distinguished Grandmasters, it offers excellent counterchances and considerable scope for creativity.
The diagram shows the basic position reached after the moves:
The d6–e6 pawn centre affords Black control of the critical d5- and e5-squares and retains flexibility to break in the centre with either ...e5 or ...d5.
The Scheveningen Variation is a classically motivated defence which appreciates the advantages of an extra centre pawn and a more compact structure. It has been at the forefront of modern tournament practice for many years, yet its complexities show no signs of being exhausted.
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| This article uses algebraic notation to describe chess moves. |
The variation first came under international attention during the 1923 chess tournament in the village Scheveningen at the North Sea coast near The Hague. During the tournament the variation was played several times by several players, including Euwe playing it against Maroczy.
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| a | b | c | d | e | f | g | h |
White has several different attacking schemes available, but the one considered most dangerous is the Keres Attack,[2] named after notable GM Paul Keres, which continues 6. g4. This move takes advantage of the fact that 5...e6 cut off the Black Bishop's control of g4 and plans to force the knight on f6, Black's only developed piece, to retreat and force black into passivity. This also launches white into a kingside attack. Black usually continues with 6... h6 to stop White's expansion. Previously moves like 6...Nc6 or 6...a6 were also recommended for Black but practical testing have proven that White's offensive is too dangerous to be ignored. 7. h4 strongest and the most popular. 7.g5 hxg5 8.Bxg5 Nc6 9.Qd2 Qb6 10.Nb3 a6 11.0-0-0 Bd7 12.h4 gives White an equal game at best. 7... Nc6 8. Rg1 (diagram) and here Black has two main lines to choose from:
both of which may give White a slight edge.
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| a | b | c | d | e | f | g | h |
Another very popular variation is the Classical[3] (also known as Maroczy Variation) which is initiated by 6. Be2. Used to great effect by Anatoly Karpov, among other distinguished Grandmasters, this methodical approach has gained many followers. The main line continues 6... a6 7. 0-0 Be7 8. Be3 0-0 9. f4 Qc7 10. a4 Nc6 11. Kh1 Re8 12. Bf3 (diagram) reaching one of the main tabiyas of Classical Scheveningen . White's plans here are to build up a kingside attack, typically by means of g2–g4–g5, Qd1–e1–h4, Bg2, Qh5, Rf3–h3, etc. Black will aim for a diversion on the queenside via the semi-open c-file, or strike in the centre. Positional pawn sacrifices abound for both sides and the theory is very highly developed, thanks to decades of research by the most elite chess players such as Garry Kasparov, Anatoly Karpov, Viswanathan Anand, Veselin Topalov, Boris Gelfand and countless others.
The currently fashionable approach is the so-called "English Attack",[4] modeled after the Yugoslav (Rauzer) Attack in the Dragon Variation. White starts an aggressive pawn storm on the kingside with f2–f3, g2–g4, h2–h4, and often g4–g5. White castles long and a very sharp game is often the result. Black, however, does not have to acquiesce to passive defense and has at least as many threats of her own. The main line continues 6. Be3 a6 7. f3 b5 8. g4 h6 9. Qd2 Nbd7 10. 0-0-0 Bb7. White's plans are to force g4–g5 and open the kingside files to his advantage. The first player may also exert considerable pressure on the d-file. Black will often consider an exchange sacrifice or at least a pawn sacrifice to open the queenside files for the heavy pieces. Time is of the essence and new ideas are being discovered each year. Many elite players including Alexander Morozevich, Peter Leko, and Alexei Shirov pour many hours of study into this critical variation.
The Keres Attack puts Black into a rather defensive and potentially dangerous position. For this reason, many advocates of this defense tend to play the Najdorf Variation move order and then play 6...e6, transposing into the Scheveningen. The most prominent example of such a preference for the Najdorf move order was seen in World Chess Championship 1984, where after game one when Kasparov had difficulties in the opening, he never allowed the Keres Attack and finally switched to the Najdorf move order. One should note that the Najdorf move order, while eliminating 6.g4, still gives White additional options, and g4 is still a possibility a move after.
Much modern analysis of the Scheveningen is under the rubric of the Najdorf. In fact, many books exploring the Scheveningen today have Najdorf in the title. This, continuing the line of thinking in the English section above, is technically the Najdorf Variation of the Sicilian defense with the very popular English Attack. Note that the "Modern" Scheveningen only covers lines without an early ...a6 from Black. The "Classical" Scheveningen includes the early ...a6. This distinction is important in choosing books to study, as titles covering recent games will often leave out the ...a6 early line, which can still become quite interesting and complex, and still advantageous for Black, even with the powerful English. Many modern chess software programs, such as HIARCS, still play ...a6 early on, despite the fact that "modern" often precludes the line in definitive analysis, depending on the book. Vlastimil Jansa has advocated this variation.[8][9][10]